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The Disney Bloodline
CHAPTER 5
SCIENCE NO. 5 - THE SKILL OF LYING, THE ART OF DECEIT
This chapter is actually a chapter of the Deeper Insights book, but it was
also added as one of the interconnected illuminati families
"The Illuminati have refined the art of deception far beyond what the common
man has imagined. The very life & liberty of humanity requires the unmasking
of their deceptions."
-----
"With the mob, and the Illuminati behind him, and driven by an indebtedness
to them, Disney began to achieve outstanding results in animation. Between
1924 and 1927, Walt Disney made a series of 56 silent Alice Comedies which
used three different girls (6-year-old Virginia Davis, Margie Gay and Lois
Hardwick) to act as Alice who romps around in a makebelief cartoon world.
These cartoons combined live action and animation. By the time the series
was done, Walt Disney wanted to try working solely with animation. Margaret
Winkler in NY (who married Charles Mintz) distributed Walt Disney's Alice
Comedies. From the beginning, children were the center of everything Walt
did. The occult world that backed Walt, as well as Walt himself, believed
that if they could bring out "the child" (that part of a person called "the
child" by various psychologists), then they could appeal to the curiosity
and feelings of the "child" part of adults. If it worked with adults, they
could do the same with the child part in children. They knew even in the 20's
& '30's what had to be accomplished in the secret Great Plan for a New World
Order. The Illuminati Great Plan called for family life to be destroyed, for
children to rebel against their parents, and for the world to become more
violent. Children needed to immerse in images of violence so that a violent
society could be created. For instance, the 1925 film Alice Stage Struck
shows little girl Alice strapped to a log leading to a buzz saw. They also
wanted to make occultism--witchcraft the common belief of the American
people. The Illuminati felt they could bring in witchcraft if they appealed
to the curiosity of the child in every adult. For instance, the Donald Duck
cartoon Corn Chips (1951) shows Donald harassing Chip and Dale who then get
back at him by stealing a box of popcorn and spreading it all over the front
yard. Now what does a cartoon like this teach kids? It teaches that stealing
to repay a grudge is O.K. and that doing pranks is funny. In Disney's 1920
films, he shows kids cutting school, shoplifting and playing hookey. He
shows Alice running away from responsibility to have adventure. He shows
prisoners escaping and hobos escaping work. His films are expression of
misbehavior being successful. What does this teach children? In the 1951
cartoon, Get Rich Quick Goofy wins money at poker and his initially angry
wife who doesn't like gambling forgives him when she sees how much he's won.
Goofy indicates that they can have a spending spree by telling his wife,
"Easy come, easy go!" The gambling spirit is a very powerful spirit that the
Illuminati want to instill in this nation. How can a cartoon that promotes
gambling be wholesome for children? Lt. Col. Dave Grossman is a military
expert on how to condition people so that they will kill. He writes in his
superb book On Killing (Boston, MS: Little Brown & Co., 1996) that the same
process that the government has used to condition soldiers to kill, is being
used by the entertainment industry. The only major difference is that in the
military, men are taught to kill only on command, while our children are
being taught to kill whenever they want to via TV's "entertainment."
Grossman states on page 308, that the conditioning to kill begins with
cartoons. "It begins innocently with cartoons and then goes on to the
countless acts of violence depicted on TV as the child grows up... .Then the
parents, through neglect or conscious decision, begin to permit the child to
watch movies rated R due to vivid depictions of knives penetrating and
protruding from bodies, long shots of blood spurting from severed limbs, and
bullets ripping into bodies and exploding out the back in showers of blood
and brains." While children see horrible deaths on T.V., they learn to
associate this suffering with entertainment, pleasure and their favorite
soft drink, their favorite candybar, and close intimate contact with their
date. (See On Killing, p. 302) Disney has the appearance of Wholesomeness;
this appearance is quite deceptive. A close study of Disney cartoons will
reveal lots of violence that could not be depicted if the violence was
actually real life & not animation. It's the wholesome front which is one of
the deceptions that makes Disney cartoons & films so dangerous. Yes, the
image of Disney has been that its cartoons are wholesome. No wonder
Illuminati mind-control programmers have laughed at how naive the American
public is toward Disney. The Disney Gargoyles cartoons are a television
series that is pure demonology. The story line is that a race of demons
protects New York City. One of the Gargoyles is even named Demona. The
Illuminati programmers are amazed at how stupid the masses of people are,
and how easily deceived. How the Disney movies are used as programming
scripts is very involved so only one detailed example is given at the end of
this chapter. The Illuminati and Mafia knew that Walt had the ability to get
the job done that the Great Plans called for. (Source: confidential
interview.) They knew they had the "carrots and the sticks" to get him to
cooperate. "
"slipshod and sloppy. He resolved to never take the easy way, but to work
with dedication toward making his drawings come to life with character and
interesting situations. In 1922, Walt made a film Cinderella. This is not to
be confused with the later animated film also of the same title released in
1950. The 1950 feature was re-released numerous times. The Alice cartoons
were made with a 6- year-old girl playing Alice. The first six Alice
comedies had extensive live-action beginnings, and then went into cartoon. A
few of the 1920's Alice silent cartoon titles include:
Alice's Wonderland (1923)
Alice Hunting in Africa (1924)
Alice's Spooky Adventure (1924)
Alice Plays Cupid (1925)
Alice Cans the Cannibals (1925)
Alice Rattled by Rats (1925)
Alice Chops the Suey (1925)
Alice Charms the Fish (1926)
Alice the Whaler (1927)
Alice the Beach Nut (1927)
After the Alice Series, Disney began a fully animated series called Oswald
the Lucky Rabbit. Here we see the occult concept of luck (who hasn't heard
of a lucky Rabbit's foot?) being subtly promoted. Disney cartoon may
entertain, but they also indoctrinate while they entertain. In 1926, Walt
Disney signed an agreement with Mintz and Film Booking Offices (EBO). Film
Booking Offices were Illuminati kingpin/mob boss Joseph Kennedy's company.
For at least the next years, Disney worked under the control (auspices) of
Illuminati kingpin Kennedy. All of the Disney pictures were registered by
R-C Pictures Corp., one of the parent companies of Kennedy's FBO. Joseph
Kennedy also controlled the RKO studio which worked together with the other
big studios to insure that no small studio would develop as a competitor. By
1937, all the big studios--20th Cent., Paramount, MGM, Warner Bros., Cohn's
Columbia Pictures and Kennedy's RKO were allowing the mob to skim money from
them. Kennedy's RKO gave Walt a guarantee in 1937 that they'd distribute
Snow White sight unseen. Walt Disney had their films distributed by Kennedy's
RKO from 1936 to 1956. Another little known detail is that in 1926, Leon
Schlesinger (future producer at Warner Bros.) subcontracted animation jobs
to Disney. One of these was Universal's The Silent Flyer. In 1928, Steamboat
Willie debuted. This was an animated cartoon with a soundtrack starring a
mouse later named Mickey Mouse. It had taken lots of hard work and
determination on Walt's part, but it was the first cartoon with a sound
track and it was successful. In 1929, the cartoon The Haunted House came
out. The story is, Mickey Mouse is forced by a storm into a house full of
ghosts who force him to contribute to their spooky musicale. In 1930, Harry
Cohn, one of the most ruthless and unsavory characters controlling a studio
bailed Walt Disney out of Walt's trouble with con-artist Pat Powers who was
stealing Disney's money. Harry Cohn was a former NY pool hustler and gambler
who was brought in by Chicago investors to front their investments in
Columbia Pictures, and run their studio. He wore a sapphire ring that the
Chicago mafiaman Johnny Roselli gave him. Roselli later became a rogue asset
of the CIA, and testified before Congress (the Church Committee on
Assassinations in '74) about a CIA contract which was handed him. Roselli
worked for the Mafia Council of 9, which incl. Anthony Accardo and Sam
Giancana. Harry Cohn was said by some to be the most hated man in Hollywood.
His money gave him "the power of an emperor". His money got him the best
female flesh available which he used for his pleasure. He always seemed to
arrive from Las Vegas with rolls of new greenbacks, which had close
associates wondering where all the money came from that he always got when
he made trips to Las Vegas. In 1931, Walt went into a long suicidal
depression that lasted into 1932. In the summer of 1932, he took a vacation
to try and recover from his nervous breakdown. By 1932, Ingersoll had
marketed its first edition of Mickey Mouse watches. Disney products have
served as a model of consumerism for the world. Disney watches have been
made continuously since 1932 or '33. In 1932, eighty major U.S. corporations
(such as General Foods, RCA & National Dairy) began to market Disney
products. Ed Sullivan began regularly running stories that bragged about
Disney's work. Freemason Dr. Rufus B. von Kleinsmid, pres. of the Univ. of
So. Cal., gave Disney an award from Parents magazine for Walt's "work with
children". In 1932, several artists who had worked for William Randolph
Hearst came to work for Disney. In 1932, Roy switched Disney from Columbia
to United Artists. United Artists agreed to front Disney $15,000 for each
cartoon. In the 1930's, the Illuminati' Bank of America financed Walt
Disney. Years before, the Bank of America had been quietly created from Bank
of Italy which was controlled by the same oligarchy that has run the Knights
of Malta and renaissance Venice. The Bank of Italy was a powerful bank in
Hollywood's first years. It's representatives A.P. and Atillo Giannini
financed Walt during the 1920's with petty cash to keep him going, but not
enough to get him out of financial bondage. Joe Rosenberg of Bank of America
was sympathetic to Walt. Joe Rosenberg, a jewish banker, came to all of
Disney's board meetings, sat beside Walt, and would advise Walt on what
direction Disney Studios should take. Joe wasn't a board member, but his
advice got high priority. Bank of America also bankrolled other Illuminati
projects and organizations. Bank of America had one of their branch offices
on Disneyland's Main St. from '55 until '93. They were open on holidays and
Sundays for Disneyland. Bank of America is slated to be perhaps the only
bank to survive the economic crash, when the Illuminati kingpins will allow
their own banks to crash. Bank of America executive S. Clark Beise (who is a
Scottish Rite Freemason) has been a member of Disney's board of directors
from '65 to '75. One of the biggest depositors in Bank of America is Roy E.
Disney. Other Disney execs like Rich Frank have also used Bank of America as
their bank of choice. The Bank of America bankrolled the Disney animation
Snow White. Walt managed to sell Joseph Rosenberg on the idea, at a time
when old time Hollywood people were advising Rosenberg that Snow White could
only be a failure. When Snow White was successful, Walt announced a monster
party for all Disney workers at Lake Norconian, near Palm Springs, southeast
of San Bernandino, CA where the cost of everything the Disney workers wanted
to order--food or drink or whatever, would be taken care of by the Disney's.
Under the full moon, the Disney male and female workers, finally free of the
tight rules at the studios, had what amounted to a Roman orgy and a large
nude skinny-dip at the lake. Almost all of the Disney workers participated
in the orgy and Disney had only two options, 1. fire them all or 2. ignore
that the party took place. Walt choose the later option, and after that
no-one ever dared mention the party in his presence. In 1937, Walt and Roy
took a trip to Europe where Walt dined with the British Royal family, & met
privately with H.G. Wells, the masonic prophet! planner of what Wells &
other masons called "the New World Order". In Paris, the League of Nations
(the forerunner to the U.N.) gave him an award. After the success of Snow
White, Disney chose Pinocchio to follow it. Many have asked why Pinocchio
was chosen by Walt. If you look at the script, the puppetmaker's wife is
taken out of the original script, and there is an emphasis on the little
wooden puppet visualizing becoming a flesh & blood son to the man who had
created him. Here we have a boy with no soul, who is told if he works hard
he will be given one. (Does this sound familiar to readers of VoL 2?) The
script was definitely changed to have a storyline far more useful to
mind-control programming. For those who think Walt simply recreated fairy
tales on the screen, if one examines the changes that are made from the
original storylines, they are changed to make them more useful for
mind-control. Both Snow White and Pinocchio have occult type "deaths and
resurrections". After W.W. II, Joseph Rosenberg persuaded A.P. Giannini, his
boss, to bankroll Disney again. Although Walt was financed by the Mishpucka
(Jewish Mafia), he didn't like the idea. Richard Rosenberg, a later Pres. of
Bank of America, is also Mishpucka. Richard Rosenberg (his mother was a
Cohen) was also in charge of Northrop Corp. and Marin Ecumenical Housing
Assn. (Other examples of Mishpucka executives are R. Goldstein, v.p. of
Procter & Gamble, and Marvin Koslow, v.p. of Bristol Meyers Co.) In the 1930's,
the elite promoted Disney's new cartoons. In 1935, Walt Disney received the
French Legion of Honor for his Mickey Mouse cartoons. Also in 1935, the
Queen of England (who readers of my previous articles will realize is
Illuminati, involved in drug trade, and is "
(more)
The Disney Bloodline
CHAPTER 5
SCIENCE NO. 5 - THE SKILL OF LYING, THE ART OF DECEIT
This chapter is actually a chapter of the Deeper Insights book, but it was
also added as one of the interconnected illuminati families
"The Illuminati have refined the art of deception far beyond what the common
man has imagined. The very life & liberty of humanity requires the unmasking
of their deceptions."
-----
"With the mob, and the Illuminati behind him, and driven by an indebtedness
to them, Disney began to achieve outstanding results in animation. Between
1924 and 1927, Walt Disney made a series of 56 silent Alice Comedies which
used three different girls (6-year-old Virginia Davis, Margie Gay and Lois
Hardwick) to act as Alice who romps around in a makebelief cartoon world.
These cartoons combined live action and animation. By the time the series
was done, Walt Disney wanted to try working solely with animation. Margaret
Winkler in NY (who married Charles Mintz) distributed Walt Disney's Alice
Comedies. From the beginning, children were the center of everything Walt
did. The occult world that backed Walt, as well as Walt himself, believed
that if they could bring out "the child" (that part of a person called "the
child" by various psychologists), then they could appeal to the curiosity
and feelings of the "child" part of adults. If it worked with adults, they
could do the same with the child part in children. They knew even in the 20's
& '30's what had to be accomplished in the secret Great Plan for a New World
Order. The Illuminati Great Plan called for family life to be destroyed, for
children to rebel against their parents, and for the world to become more
violent. Children needed to immerse in images of violence so that a violent
society could be created. For instance, the 1925 film Alice Stage Struck
shows little girl Alice strapped to a log leading to a buzz saw. They also
wanted to make occultism--witchcraft the common belief of the American
people. The Illuminati felt they could bring in witchcraft if they appealed
to the curiosity of the child in every adult. For instance, the Donald Duck
cartoon Corn Chips (1951) shows Donald harassing Chip and Dale who then get
back at him by stealing a box of popcorn and spreading it all over the front
yard. Now what does a cartoon like this teach kids? It teaches that stealing
to repay a grudge is O.K. and that doing pranks is funny. In Disney's 1920
films, he shows kids cutting school, shoplifting and playing hookey. He
shows Alice running away from responsibility to have adventure. He shows
prisoners escaping and hobos escaping work. His films are expression of
misbehavior being successful. What does this teach children? In the 1951
cartoon, Get Rich Quick Goofy wins money at poker and his initially angry
wife who doesn't like gambling forgives him when she sees how much he's won.
Goofy indicates that they can have a spending spree by telling his wife,
"Easy come, easy go!" The gambling spirit is a very powerful spirit that the
Illuminati want to instill in this nation. How can a cartoon that promotes
gambling be wholesome for children? Lt. Col. Dave Grossman is a military
expert on how to condition people so that they will kill. He writes in his
superb book On Killing (Boston, MS: Little Brown & Co., 1996) that the same
process that the government has used to condition soldiers to kill, is being
used by the entertainment industry. The only major difference is that in the
military, men are taught to kill only on command, while our children are
being taught to kill whenever they want to via TV's "entertainment."
Grossman states on page 308, that the conditioning to kill begins with
cartoons. "It begins innocently with cartoons and then goes on to the
countless acts of violence depicted on TV as the child grows up... .Then the
parents, through neglect or conscious decision, begin to permit the child to
watch movies rated R due to vivid depictions of knives penetrating and
protruding from bodies, long shots of blood spurting from severed limbs, and
bullets ripping into bodies and exploding out the back in showers of blood
and brains." While children see horrible deaths on T.V., they learn to
associate this suffering with entertainment, pleasure and their favorite
soft drink, their favorite candybar, and close intimate contact with their
date. (See On Killing, p. 302) Disney has the appearance of Wholesomeness;
this appearance is quite deceptive. A close study of Disney cartoons will
reveal lots of violence that could not be depicted if the violence was
actually real life & not animation. It's the wholesome front which is one of
the deceptions that makes Disney cartoons & films so dangerous. Yes, the
image of Disney has been that its cartoons are wholesome. No wonder
Illuminati mind-control programmers have laughed at how naive the American
public is toward Disney. The Disney Gargoyles cartoons are a television
series that is pure demonology. The story line is that a race of demons
protects New York City. One of the Gargoyles is even named Demona. The
Illuminati programmers are amazed at how stupid the masses of people are,
and how easily deceived. How the Disney movies are used as programming
scripts is very involved so only one detailed example is given at the end of
this chapter. The Illuminati and Mafia knew that Walt had the ability to get
the job done that the Great Plans called for. (Source: confidential
interview.) They knew they had the "carrots and the sticks" to get him to
cooperate. "
"slipshod and sloppy. He resolved to never take the easy way, but to work
with dedication toward making his drawings come to life with character and
interesting situations. In 1922, Walt made a film Cinderella. This is not to
be confused with the later animated film also of the same title released in
1950. The 1950 feature was re-released numerous times. The Alice cartoons
were made with a 6- year-old girl playing Alice. The first six Alice
comedies had extensive live-action beginnings, and then went into cartoon. A
few of the 1920's Alice silent cartoon titles include:
Alice's Wonderland (1923)
Alice Hunting in Africa (1924)
Alice's Spooky Adventure (1924)
Alice Plays Cupid (1925)
Alice Cans the Cannibals (1925)
Alice Rattled by Rats (1925)
Alice Chops the Suey (1925)
Alice Charms the Fish (1926)
Alice the Whaler (1927)
Alice the Beach Nut (1927)
After the Alice Series, Disney began a fully animated series called Oswald
the Lucky Rabbit. Here we see the occult concept of luck (who hasn't heard
of a lucky Rabbit's foot?) being subtly promoted. Disney cartoon may
entertain, but they also indoctrinate while they entertain. In 1926, Walt
Disney signed an agreement with Mintz and Film Booking Offices (EBO). Film
Booking Offices were Illuminati kingpin/mob boss Joseph Kennedy's company.
For at least the next years, Disney worked under the control (auspices) of
Illuminati kingpin Kennedy. All of the Disney pictures were registered by
R-C Pictures Corp., one of the parent companies of Kennedy's FBO. Joseph
Kennedy also controlled the RKO studio which worked together with the other
big studios to insure that no small studio would develop as a competitor. By
1937, all the big studios--20th Cent., Paramount, MGM, Warner Bros., Cohn's
Columbia Pictures and Kennedy's RKO were allowing the mob to skim money from
them. Kennedy's RKO gave Walt a guarantee in 1937 that they'd distribute
Snow White sight unseen. Walt Disney had their films distributed by Kennedy's
RKO from 1936 to 1956. Another little known detail is that in 1926, Leon
Schlesinger (future producer at Warner Bros.) subcontracted animation jobs
to Disney. One of these was Universal's The Silent Flyer. In 1928, Steamboat
Willie debuted. This was an animated cartoon with a soundtrack starring a
mouse later named Mickey Mouse. It had taken lots of hard work and
determination on Walt's part, but it was the first cartoon with a sound
track and it was successful. In 1929, the cartoon The Haunted House came
out. The story is, Mickey Mouse is forced by a storm into a house full of
ghosts who force him to contribute to their spooky musicale. In 1930, Harry
Cohn, one of the most ruthless and unsavory characters controlling a studio
bailed Walt Disney out of Walt's trouble with con-artist Pat Powers who was
stealing Disney's money. Harry Cohn was a former NY pool hustler and gambler
who was brought in by Chicago investors to front their investments in
Columbia Pictures, and run their studio. He wore a sapphire ring that the
Chicago mafiaman Johnny Roselli gave him. Roselli later became a rogue asset
of the CIA, and testified before Congress (the Church Committee on
Assassinations in '74) about a CIA contract which was handed him. Roselli
worked for the Mafia Council of 9, which incl. Anthony Accardo and Sam
Giancana. Harry Cohn was said by some to be the most hated man in Hollywood.
His money gave him "the power of an emperor". His money got him the best
female flesh available which he used for his pleasure. He always seemed to
arrive from Las Vegas with rolls of new greenbacks, which had close
associates wondering where all the money came from that he always got when
he made trips to Las Vegas. In 1931, Walt went into a long suicidal
depression that lasted into 1932. In the summer of 1932, he took a vacation
to try and recover from his nervous breakdown. By 1932, Ingersoll had
marketed its first edition of Mickey Mouse watches. Disney products have
served as a model of consumerism for the world. Disney watches have been
made continuously since 1932 or '33. In 1932, eighty major U.S. corporations
(such as General Foods, RCA & National Dairy) began to market Disney
products. Ed Sullivan began regularly running stories that bragged about
Disney's work. Freemason Dr. Rufus B. von Kleinsmid, pres. of the Univ. of
So. Cal., gave Disney an award from Parents magazine for Walt's "work with
children". In 1932, several artists who had worked for William Randolph
Hearst came to work for Disney. In 1932, Roy switched Disney from Columbia
to United Artists. United Artists agreed to front Disney $15,000 for each
cartoon. In the 1930's, the Illuminati' Bank of America financed Walt
Disney. Years before, the Bank of America had been quietly created from Bank
of Italy which was controlled by the same oligarchy that has run the Knights
of Malta and renaissance Venice. The Bank of Italy was a powerful bank in
Hollywood's first years. It's representatives A.P. and Atillo Giannini
financed Walt during the 1920's with petty cash to keep him going, but not
enough to get him out of financial bondage. Joe Rosenberg of Bank of America
was sympathetic to Walt. Joe Rosenberg, a jewish banker, came to all of
Disney's board meetings, sat beside Walt, and would advise Walt on what
direction Disney Studios should take. Joe wasn't a board member, but his
advice got high priority. Bank of America also bankrolled other Illuminati
projects and organizations. Bank of America had one of their branch offices
on Disneyland's Main St. from '55 until '93. They were open on holidays and
Sundays for Disneyland. Bank of America is slated to be perhaps the only
bank to survive the economic crash, when the Illuminati kingpins will allow
their own banks to crash. Bank of America executive S. Clark Beise (who is a
Scottish Rite Freemason) has been a member of Disney's board of directors
from '65 to '75. One of the biggest depositors in Bank of America is Roy E.
Disney. Other Disney execs like Rich Frank have also used Bank of America as
their bank of choice. The Bank of America bankrolled the Disney animation
Snow White. Walt managed to sell Joseph Rosenberg on the idea, at a time
when old time Hollywood people were advising Rosenberg that Snow White could
only be a failure. When Snow White was successful, Walt announced a monster
party for all Disney workers at Lake Norconian, near Palm Springs, southeast
of San Bernandino, CA where the cost of everything the Disney workers wanted
to order--food or drink or whatever, would be taken care of by the Disney's.
Under the full moon, the Disney male and female workers, finally free of the
tight rules at the studios, had what amounted to a Roman orgy and a large
nude skinny-dip at the lake. Almost all of the Disney workers participated
in the orgy and Disney had only two options, 1. fire them all or 2. ignore
that the party took place. Walt choose the later option, and after that
no-one ever dared mention the party in his presence. In 1937, Walt and Roy
took a trip to Europe where Walt dined with the British Royal family, & met
privately with H.G. Wells, the masonic prophet! planner of what Wells &
other masons called "the New World Order". In Paris, the League of Nations
(the forerunner to the U.N.) gave him an award. After the success of Snow
White, Disney chose Pinocchio to follow it. Many have asked why Pinocchio
was chosen by Walt. If you look at the script, the puppetmaker's wife is
taken out of the original script, and there is an emphasis on the little
wooden puppet visualizing becoming a flesh & blood son to the man who had
created him. Here we have a boy with no soul, who is told if he works hard
he will be given one. (Does this sound familiar to readers of VoL 2?) The
script was definitely changed to have a storyline far more useful to
mind-control programming. For those who think Walt simply recreated fairy
tales on the screen, if one examines the changes that are made from the
original storylines, they are changed to make them more useful for
mind-control. Both Snow White and Pinocchio have occult type "deaths and
resurrections". After W.W. II, Joseph Rosenberg persuaded A.P. Giannini, his
boss, to bankroll Disney again. Although Walt was financed by the Mishpucka
(Jewish Mafia), he didn't like the idea. Richard Rosenberg, a later Pres. of
Bank of America, is also Mishpucka. Richard Rosenberg (his mother was a
Cohen) was also in charge of Northrop Corp. and Marin Ecumenical Housing
Assn. (Other examples of Mishpucka executives are R. Goldstein, v.p. of
Procter & Gamble, and Marvin Koslow, v.p. of Bristol Meyers Co.) In the 1930's,
the elite promoted Disney's new cartoons. In 1935, Walt Disney received the
French Legion of Honor for his Mickey Mouse cartoons. Also in 1935, the
Queen of England (who readers of my previous articles will realize is
Illuminati, involved in drug trade, and is "
(more)
