Film Legend Charlton Heston Dead at 84

Great actor, and a great man. A civil rights pioneer who marched in

Selma Alabama when the rest of the chickenshits in Hollywood wouldn't

stand up for black people. Years later Hollywood would ostracize him

for believing in the 2nd Amendment, punkass bitches like Tim Roth who

isn't even an American refused to speak to him off the set while

making the new shitty version of the Planet of the Apes. I wonder if

Michael Moore's fat fucking ass feels good right now. He clearly set

up Charlton Heston in a bogus interview for his propaganda film

against the 2nd Amendment. Rest in Peace Mr. Heston, as he is an

Icon that none of the gutless turds today acting can even begin to

measure up as an American and as a person.

http://apnews.myway.com/article/20080406/D8VSE49G0.html

LOS ANGELES (AP) - Charlton Heston, who won the 1959 best actor Oscar

as the chariot-racing "Ben-Hur" and portrayed Moses, Michelangelo, El

Cid and other heroic figures in movie epics of the '50s and '60s, has

died. He was 84.

The actor died Saturday night at his home in Beverly Hills with his

wife Lydia at his side, family spokesman Bill Powers said. He declined

to comment on the cause of death or provide further details.

"Charlton Heston was seen by the world as larger than life. He was

known for his chiseled jaw, broad shoulders and resonating voice, and,

of course, for the roles he played," Heston's family said in a

statement. "No one could ask for a fuller life than his. No man could

have given more to his family, to his profession, and to his country."

Heston revealed in 2002 that he had symptoms consistent with

Alzheimer's disease, saying, "I must reconcile courage and surrender

in equal measure."

With his large, muscular build, well-boned face and sonorous voice,

Heston proved the ideal star during the period when Hollywood was

filling movie screens with panoramas depicting the religious and

historical past.

"I have a face that belongs in another century," he often remarked.

Publicist Michael Levine, who represented Heston for about 20 years,

said the actor's passing represented the end of an iconic era for

cinema. "If Hollywood had a Mt. Rushmore, Heston's face would be on

it," Levine said.

The actor assumed the role of leader offscreen as well. He served as

president of the Screen Actors Guild and chairman of the American Film

Institute and marched in the civil rights movement of the 1950s.

With age, he grew more conservative and campaigned for conservative

candidates. In June 1998, Heston was elected president of the National

Rifle Association, for which he had posed for ads holding a rifle.

He delivered a jab at then-President Clinton, saying, "America doesn't

trust you with our 21-year-old daughters, and we sure, Lord, don't

trust you with our guns." Heston stepped down as NRA president in

April 2003, telling members his five years in office were "quite a

ride. ... I loved every minute of it."

Later that year, he was awarded the Presidential Medal of Freedom, the

nation's highest civilian honor. "The largeness of character that

comes across the screen has also been seen throughout his life,"

President Bush said at the time.

"America has lost a great patriot. The Second Amendment has lost a

faithful friend," said Wayne LaPierre, of the National Rifle

Association of America, in a statement. "So have I, and so have four

million NRA members and eighty million gun owners. And so has every

American who cares about the Bill of Rights, individual liberty, and

Freedom.

Heston engaged in a lengthy feud with liberal Ed Asner during the

latter's tenure as president of the Screen Actors Guild. His latter-

day activism almost overshadowed his achievements as an actor, which

were considerable.

Heston lent his strong presence to some of the most acclaimed and

successful films of the midcentury. "Ben-Hur" won 11 Academy Awards,

tying it for the record with the more recent "Titanic" (1997) and "The

Lord of the Rings: The Return of the King" (2003). Heston's other hits

include: "The Ten Commandments,""El Cid,""55 Days at Peking,""Planet

of the Apes" and "Earthquake."

He liked to cite the number of historical figures he had portrayed:

Andrew Jackson ("The President's Lady,""The Buccaneer"), Moses ("The

Ten Commandments"), title role of "El Cid," John the Baptist ("The

Greatest Story Ever Told"), Michelangelo ("The Agony and the

Ecstasy"), General Gordon ("Khartoum"), Marc Antony ("Julius

Caesar,""Antony and Cleopatra"), Cardinal Richelieu ("The Three

Musketeers"), Henry VIII ("The Prince and the Pauper").

Heston made his movie debut in the 1940s in two independent films by a

college classmate, David Bradley, who later became a noted film

archivist. He had the title role in "Peer Gynt" in 1942 and was Marc

Antony in Bradley's 1949 version of "Julius Caesar," for which Heston

was paid $50 a week.

Film producer Hal B. Wallis ("Casablanca") spotted Heston in a 1950

television production of "Wuthering Heights" and offered him a

contract. When his wife reminded him that they had decided to pursue

theater and television, he replied, "Well, maybe just for one film to

see what it's like."

Heston earned star billing from his first Hollywood movie, "Dark

City," a 1950 film noir. Cecil B. DeMille next cast him as the circus

manager in the all-star "The Greatest Show On Earth," named by the

Motion Picture Academy as the best picture of 1952. More movies

followed.

Most were forgettable low-budget films, and Heston seemed destined to

remain an undistinguished action star. His old boss DeMille rescued

him.

The director had long planned a new version of "The Ten Commandments,"

which he had made as a silent in 1923 with a radically different

approach that combined biblical and modern stories. He was struck by

Heston's facial resemblance to Michelangelo's sculpture of Moses,

especially the similar broken nose, and put the actor through a long

series of tests before giving him the role.

The Hestons' newborn, Fraser Clarke Heston, played the role of the

infant Moses in the film.

More films followed: the eccentric thriller "Touch of Evil," directed

by Orson Welles; William Wyler's "The Big Country," costarring with

Gregory Peck; a sea saga, "The Wreck of the Mary Deare" with Gary

Cooper.

Then his greatest role: "Ben-Hur."

Heston wasn't the first to be considered for the remake of 1925

biblical epic. Marlon Brando, Burt Lancaster and Rock Hudson had

declined the film. Heston plunged into the role, rehearsing two months

for the furious chariot race.

He railed at suggestions the race had been shot with a double: "I

couldn't drive it well, but that wasn't necessary. All I had to do was

stay on board so they could shoot me there. I didn't have to worry;

MGM guaranteed I would win the race."

The huge success of "Ben-Hur" and Heston's Oscar made him one of the

highest-paid stars in Hollywood. He combined big-screen epics like "El

Cid" and "55 Days at Peking" with lesser ones such as "Diamond

Head,""Will Penny" and "Airport 1975." In his later years he played

cameos in such films as "Wayne's World 2" and "Tombstone."

He often returned to the theater, appearing in such plays as "A Long

Day's Journey into Night" and "A Man for All Seasons." He starred as a

tycoon in the prime-time soap opera, "The Colbys," a two-season

spinoff of "Dynasty."

At his birth in a Chicago suburb on Oct. 4, 1923, his name was Charles

Carter. His parents moved to St. Helen, Mich., where his father,

Russell Carter, operated a lumber mill. Growing up in the Michigan

woods with almost no playmates, young Charles read books of adventure

and devised his own games while wandering the countryside with his

rifle.

Charles's parents divorced, and she married Chester Heston, a factory

plant superintendent in Wilmette, Ill., an upscale north Chicago

suburb. Shy and feeling displaced in the big city, the boy had trouble

adjusting to the new high school. He took refuge in the drama

department.

"What acting offered me was the chance to be many other people," he

said in a 1986 interview. "In those days I wasn't satisfied with being

me."

Calling himself Charlton Heston from his mother's maiden name and his

stepfather's last name, he won an acting scholarship to Northwestern

University in 1941. He excelled in campus plays and appeared on

Chicago radio. In 1943, he enlisted in the Army Air Force and served

as a radio-gunner in the Aleutians.

In 1944 he married another Northwestern drama student, Lydia Clarke,

and after his army discharge in 1947, they moved to New York to seek

acting jobs. Finding none, they hired on as codirectors and principal

actors at a summer theater in Asheville, N.C.

Back in New York, both Hestons began finding work. With his strong 6-

feet-2 build and craggily handsome face, Heston won roles in TV soap

operas, plays ("Antony and Cleopatra" with Katherine Cornell) and live

TV dramas such as "Julius Caesar,""Macbeth,""The Taming of the Shrew"

and "Of Human Bondage."

Heston wrote several books: "The Actor's Life: Journals 1956-1976,"

published in 1978; "Beijing Diary: 1990," concerning his direction of

the play "The Caine Mutiny Court Martial" in Chinese; "In the Arena:

An Autobiography," 1995; and "Charlton Heston's Hollywood: 50 Years of

American Filmmaking," 1998.

Besides Fraser, the Hestons had a daughter, Holly Ann, born Aug. 2,

1961. The couple celebrated their golden wedding anniversary in 1994

at a party with Hollywood and political friends. They had been married

64 years when he died.

In late years, Heston drew as much publicity for his crusades as for

his performances. In addition to his NRA work, he campaigned for

Republican presidential and congressional candidates and against

affirmative action.

He resigned from Actors Equity, claiming the union's refusal to allow

a white actor to play a Eurasian role in "Miss Saigon" was "obscenely

racist." He attacked CNN's telecasts from Baghdad as "sowing doubts"

about the allied effort in the 1990-91 Gulf War.

At a Time Warner stockholders meeting, he castigated the company for

releasing an Ice-T album that purportedly encouraged cop killing.

Heston wrote in "In the Arena" that he was proud of what he did

"though now I'll surely never be offered another film by Warners, nor

get a good review in Time. On the other hand, I doubt I'll get a

traffic ticket very soon."

Portugal was once a great nation. It might have been the greatest

nation on earth at one time. But now it is almost like a third world

country. What happened? Race-mixing is what happened. They let a lot

of Black people in and of course the result was racial inter-marriage.

Now the Portuguese people are not as White as they were. We need to

preserve the White race. Here are some quotes from Mein Kampf:

"All that we admire in the world to-day, its science, its art, its

technical developments and discoveries, are the products of the

creative activities of a few peoples, and it may be true that their

first beginnings must be attributed to one race. The maintenance of

civilization is wholly dependant on such peoples. Should they perish,

all that makes this earth beautiful will descend with them into the

grave."

"All the great civilizations of the past became decadent because the

originally creative race died out, as a result of the contamination on

the blood."

"Every manifestation of human culture, every product of art, science

and technical skill, which we see before our eyes to-day, is almost

exclusively the product of the Aryan creative power. This very fact

fully justifies the conclusion that it was the Aryan alone who founded

a superior type of humanity"

"The foundations of actual life in Japan to-day are not those of the

native Japanese culture, although this characterizes the external

features of the country, which features strike the eye of European

observers on account of their fundamental difference from us; but the

real foundations of contemporary Japanese life are the enormous

scientific and technical achievements of Europe and America, that is

to say, of Aryan peoples."

"A people that fails to preserve the purity of its racial blood

thereby destroys the unity of the soul of the nation in all its

manifestations. A disintegrated national character is the inevitable

consequence of the process of disintegration in the blood. And the

change which takes place in the spiritual and creative faculties of a

people is only an effect of the change that had modified its racial

substance."

"For in a world which would be composed of mongrels and Negroid all

ideals of human beauty and nobility and all hopes of an idealized

future for our humanity would be lost forever."

"It is especially the cultural creativeness which disappears when a

superior race inter-mixes with an inferior one."

"There may be hundreds of excellent States in this earth, and yet if

the Aryan, who is the creator and custodian of civilization, should

disappear, all culture that is on an adequate level with the spiritual

needs of the superior nations to-day would also disappear."

"We National Socialists know that in holding these views we take up a

revolutionary stand in the world to-day and that we are branded as

revolutionaries. But our views and our conduct will not be determined

by the approbation or disapprobation of our contemporaries, but only

by our duty to follow a truth which we have acknowledged. In doing

this we have reason to believe that posterity will have a clearer

insight"

"Thus for the first time a high inner purpose is accredited to the

State. In face of the ridiculous phrase that the State should do no

more than act as the guardian of public order and tranquility, so that

everybody can peacefully dupe everybody else, it is given a very high

mission indeed to preserve and encourage the highest type of humanity

which a beneficent Creator has bestowed on this earth."

http://www.ihr.org/ http://www.natvan.com

http://www.thebirdman.org http://www.nsm88.com/

http://wsi.matriots.com/jews.html

<OllieNorthie@aol.com> wrote in message

news:8794292f-3a0f-49ea-91f7-9a7917e28a95@m36g2000hse.googlegroups.com...

> Too bad he wasnt shot.

Wishing is ALL that you pussies ever do....

Bozo wrote:

John <dahlgren.j...@gmail.com> wrote:

> "I guess we can have his gun now"

> Now that was funny.

>

> RIP Charlie.

The original post by "sean sannity" made me sick and further

demonstrates how garbagy politics is. I think it's exciting that

Heston died, although the knowledge that he was old and had alzheimers

ruined any shock value it might have had otherwise. I love when

famous people die. It's entertaining in a wondrously brief and open

way. Some people say that's sick. No less sick than using a famous

person's death as an excuse to drag politics into it. But people who

are chiefly interested in politics have revealed themselves to be far

less intelligent than their schooling might imply. They can sit down

and write about this crap, but they really know nothing. People whose

main precoccupation is politics are inherently stupid people.

Tommy Joe

"traveler" <Vallecito@aol.com> wrote in message

news:5916ab97-5d84-4767-b241-844f67971e61@b9g2000prh.googlegroups.com...

On Apr 7, 6:32 am, "Patriot Games" <Patr...@America.com> wrote:

>> <OllieNort...@aol.com> wrote in message

>> news:8794292f-3a0f-49ea-91f7-9a7917e28a95@m36g2000hse.googlegroups.com...

>> > Too bad he wasnt shot.

>> Wishing is ALL that you pussies ever do....

>He probably feels the same way about his own father.

Good point. Their self-loathing is apparent.

Patriot Games wrote: about Charlton Heston

"traveler"wrote in message

OllieNort...@aol.com> wrote in message

> Too bad he wasnt shot.

> Wishing is ALL that you pussies ever do....He probably feels the same way about his own father.

> Good point. Their self-loathing is apparent.

Self loathing has nothing to do with Ollie's comment about

Heston's death - "Too bad he wasn't shot" It could be interpreted on

the surface that Ollie's joke is aimed at the pro gun crowd. Not

necessarily so. It is always funny when people die at the hands of

the thing they love most - such as when fitness runner Jim Fixx died

from a heart attack while jogging - or the time an unknown film-maker

died from massive head injuries when the pickup truck he was filming

from went under a bridge and his head was cracked open by the

abuttment , and the documetary he was filming was about low-hanging

bridges in America. It's the irony of it. Of course it would have

been funnier if Heston had died from a gunshot wound. Doesn't mean

Ollie's statement had to be political, even if it was.

Tommy Joe

"Tommy Joe" <joss@bellsouth.net> wrote in message

news:d7238566-a112-438b-89fc-d2dfb33f5f7c@a70g2000hsh.googlegroups.com...

> Patriot Games wrote: about Charlton Heston

> "traveler"wrote in message

> OllieNort...@aol.com> wrote in message

>> Too bad he wasnt shot.

>> Wishing is ALL that you pussies ever do....He probably feels

>> the same way about his own father.

>> Good point. Their self-loathing is apparent.

> Self loathing has nothing to do with Ollie's comment about

> Heston's death - "Too bad he wasn't shot" It could be interpreted on

> the surface that Ollie's joke is aimed at the pro gun crowd.

Of course it was.

> Not

> necessarily so. It is always funny when people die at the hands of

> the thing they love most - such as when fitness runner Jim Fixx died

> from a heart attack while jogging - or the time an unknown film-maker

> died from massive head injuries when the pickup truck he was filming

> from went under a bridge and his head was cracked open by the

> abuttment , and the documetary he was filming was about low-hanging

> bridges in America.

And you find those deaths "funny?"

> It's the irony of it. Of course it would have

> been funnier if Heston had died from a gunshot wound. Doesn't mean

> Ollie's statement had to be political, even if it was.

Go away.

<OllieNorthie@aol.com> wrote in message

news:f9fc7ce1-b185-4dd2-8704-104125657ab2@e39g2000hsf.googlegroups.com...

> I find death by gun to be very American.

Its not my fault you're a fool.

> Dying any other way is crap.

But you still will.

On Tue, 8 Apr 2008 23:23:01 -0700 (PDT), "zzbunker@netscape.net"

<zzbunker@netscape.net> wrote:

>

> But the same can be said for Hollywood. It was once a great

>theatrics

> setup. Now it's nothing but standup comics doing Shakespeare for

>Lockheed,

> and Lockheed doing standup Shakespeares for Exxon.

> So it's on to the future with these idiots, and internet,

>articulating robots, GPS-3,

> and A.I. that doesn't smell like yestersay's Quarter Pounder.

>

They make some pretty good movies sometimes. But most of it is filled

with anti-White propaganda:

"Special Victims Unit is NBC's sleazy, sex-crime spinoff of Law and

Order.

The April 4th, 2003, episode was about two brothers who went on a

crime spree. They held up small groups of people with a single gun,

forced them to strip and have sex with one another -- including

homosexual sex -- and then shot them in the head. The victims were

robbed of money, watches, jewelry, and their ATM cards. (They were

forced to give their PIN numbers.) One couple was engaged, and the

woman's engagement ring was stolen. In one crime, the victims' SUV was

stolen. By my count, eleven people were killed, and two more were

abducted. Moreover, it turned out that the older brother beat up his

father, homosexually raped his younger brother, and tried to frame him

so he would take the blame for both of them.

Now this crime might remind VNN readers (and precious few others) of

the Wichita Massacre of December 14, 2000, in which two brothers,

Reginald and Jonathan Carr, held up five people with a single gun,

including a couple who were planning to be married. They raped the

women and forced their victims to have sex with one another, including

homosexual sex. The Carrs then forced their victims to withdraw money

from their ATMs. They stole money, watches, jewelry, the engagement

ring, and a SUV. They then they drove their victims to an icy field,

shot all five in the head, then ran over their bodies. Amazingly, one

woman survived.

There is no doubt that Special Victims Unit episode 86 is based on

the Wichita Massacre. But there are two main differences between the

Kansas and New York versions. First of all, in the TV show the

criminals are far worse: they kill more people, and although one of

them seems so pathetic he is almost sympathetic, the other is a

monster who raped and framed his brother and beat his father. Second,

in the Special Victims Unit episode, the criminals are two handsome,

blue-eyed White men, whereas the Carr brothers were ugly, scary-

looking Niggers.

Why was the race of the killers changed to adapt the Wichita Massacre

for nationwide broadcast on NBC? For the same reason that the Wichita

Massacre was not given nationwide coverage on NBC or any other

network: the killers were Black and the victims were White. Now, the

networks did not spike the story because heinous Black-on-White crimes

are so unusual that giving them national coverage would mislead people

into thinking such crimes are common. That didn't stop the networks

from giving national coverage to the killing of the Black James Byrd

by Whites in Jasper, Texas. In fact, Black-on-White crime is far more

common than White-on-Black crime, but this fact is consciously hidden

from the populace by the television networks while they subject Whites

to a neverending guilt trip for the comparatively rare crimes they

commit against Blacks. This kind of propaganda may explain why the

victims in Wichita went to their deaths like sheep.

The sadistic and savage nature of both crimes indicates that the

killers were motivated by more than just greed. In the case of the

Wichita massacre, that motive was racial hatred of Whites. In the

Special Victims Unit episode, the motive could not be racial, so it

was ascribed to resentment against rich people.

And why were the crimes of the fictional killers made so much worse?

The main agenda of the writers was to exploit the Wichita Massacre

while concealing the racial aspect. But they may have had a subsidiary

agenda. Since they know that the internet makes it impossible for them

to keep everyone ignorant of the Wichita Massacre, they may have

decided to defuse its racial element and its shock value by showing

that Whites can do the same sort of thing, but far worse.

The Jewish agenda of the mass media systematically conceals Black

criminality and morally intimidates well-meaning Whites from

protecting themselves against it. This cultural atmosphere made the

Wichita Massacre possible. The networks would not give national

coverage to the real crime. But it was too lurid for the media Jews to

leave alone. So they took the crime that their brethren helped create,

scrubbed it of racial truths, and turned it into another piece of

anti-White propaganda to help lull the victims of the next massacre to

sleep.

What town will the next massacre be named for? Will it be yours?"

THE CAT LADY

------------------------

Additional information on SVU and the men behind it:

The series is filmed on location in New York City by Wolf Films in

association with Universal Television and Studios USA. Its producers:

Neal Baer - Executive Producer (cannot be ascertained if Baer is a

jew,

but Baer is a common jewish name; Baer is an MD as well as a writer;

he was the MD-adviser behind E.R., and now SVU

Dick Wolf - Executive Producer (a New York City Catholic who wrote

"School Ties" (1992) about anti-jew bigotry at a prep school)

Ted Kotcheff - Executive Producer (best friend of Canadian jew

novelist Mordecai Richler; married to possible jewess named Marburg)

Peter Jankowski - Executive Producer

Dick Wolf - Creator (note that one of his co-producers on the Crime &

Punishment production team, Bill Guttentag, made the "documentary"

"Hate.com" for HBO)

The matrix of jews and jew-friendlies from which SVU emerges makes

inconceivable the accurate depiction of interracial crime, and

guarantees whites will be portrayed as uniquely vicious, violent,

greedy and dangerous -- the opposite of the truth. Jew Ben Stein

described the mentality at work in his book The View From Sunset

Boulevard, a review of which you can read here.

The company that produces SVU for NBC is Universal, whose president is

Steve Rosenberg, the jew marketer behind Jerry Springer, Maury Povich,

and Sally Jesse Raphael - jews all. Jerry Springer, if you haven't

heard of him, is not merely the host of the sleaziest talk show in the

history of the world, but an ex-mayor of Cincinnati famous for paying

a prostitute with a city check.

http://www.vanguardnewsnetwork.com/vnn/showEssay.asp?essayID=1172

http://www.ihr.org/ http://www.natvan.com

http://www.thebirdman.org http://www.nsm88.com/

http://wsi.matriots.com/jews.html

Patriot Games wrote:

>

>

> Of course it was.

> And you find those deaths "funny?"

> Go away.

Yes, I find those kind of death to be funny. So what. I know

Ollie's post could have been politically aimed. But only saying you

can't prove it. I have nothing against the NRA, yet I think it would

have been funny if Heston had died by gunshot. I don't like political

humor in general. In this case, I saw the humor in Ollie's joke, but

did not think it was hilarious, because it had a political bent, or

could be bent that way if someone cared to do so. So that ruins the

humor, that it can become political. People who like political

humor, especially those who have it as their #1 brand of humor - those

people are truly stupid in my opinion - generally well-read and

schooled, but at heart not very imaginative, and, well, just kind

of ... stupid.

Tommy Joe

Patriot Games wrote:

OllieNorthie wrote:

> I find death by gun to be very American.

> Dying any other way is crap.

> But you still will.

I'm thinking about shooting Ollie to death just to prove you

wrong.

Tommy Joe

OllieNorthie@aol.com wrote:

>

>

> I find death by gun to be very American. Dying any other way is crap.

Getting beat to death is a lesser American pasttime, but it

happens. The only reason more people aren't beat to death is because

it takes time. You pop someone with a bullet, you're out of there.

You beat someone to death, the cops might show up. So you leave the

guy slumped unconscious with a smashed in skull and a few broken

bones. But he lives. The same murderous intent was there, but the

guy lives.

I joined a gang last week for the first time. As initiation I was

called upon to engage in a gang stomping. We got a guy down and

suddenly the leader yelled, "Ok Tommy, this is it. Take your boot and

aim for his head. And make it count." But I didn't want to do it.

I'd never kicked in a guy's skull before. So I held back. I'm a

pretty good actor. I ran up to his head like a guy kicking off to the

other team, but at the last minute I softened the blow. I thought it

looked real. But the leader knew otherwise. He began screaming at me

for being such a pussy. "That aint the way we do it", he barked.

Then he and his cohorts dragged me to the ground and beat me to death,

and I write this from the grave.

Tommy Joe (DEAD)

On Apr 7, 11:01 pm, Tommy Joe <j...@bellsouth.net> wrote:

> Bozo wrote:

> John <dahlgren.j...@gmail.com> wrote:

> > "I guess we can have his gun now"

> > Now that was funny.

>

> > RIP Charlie.

>

> The original post by "sean sannity" made me sick and further

> demonstrates how garbagy politics is. I think it's exciting that

> Heston died, although the knowledge that he was old and had alzheimers

> ruined any shock value it might have had otherwise. I love when

> famous people die. It's entertaining in a wondrously brief and open

> way. Some people say that's sick. No less sick than using a famous

> person's death as an excuse to drag politics into it. But people who

> are chiefly interested in politics have revealed themselves to be far

> less intelligent than their schooling might imply. They can sit down

> and write about this crap, but they really know nothing. People whose

> main precoccupation is politics are inherently stupid people.

>

> Tommy Joe

Do you ever find it remarkable how you have managed to live as long as

as you have?

I mean think about it, despite all the years of substance abuse, mal-

nutrition, high risk occupation, and the stress of sustaining yourself

knowing that skid row is just around the corner, you made it to 60.

Hell man you're a survivor.

Bill O'Really

Bill O'Really wrote:

>

>

> Do you ever find it remarkable how you have managed to live as long as

> as you have?

>

> I mean think about it, despite all the years of substance abuse, mal-

> nutrition, high risk occupation, and the stress of sustaining yourself

> knowing that skid row is just around the corner, you made it to 60.

>

> Hell man you're a survivor.

You've got me pegged with the substance abuse, high risk

occupation, and stress of sustaining myself. But any malnutrition I

might have had was short lived and self-enduced. I have always eaten

very well, healthy tasty stuff I make myself. I learned how to cook

that way when I used to go on drinking binges. I had to eat well to

make up for the damage I was doing to myself. Now I drink less booze

but still eat very well. I also, as you already know, love to take

massive shits as often as possible, and the foods I eat help create

some of the most outstanding turds known to mankind.

Tommy Joe

On Apr 11, 4:47 am, Tommy Joe <j...@bellsouth.net> wrote:

>

> You've got me pegged with the substance abuse, high risk

> occupation, and stress of sustaining myself.

Damn it, I left out years of unprotected sex.

> But any malnutrition I

> might have had was short lived and self-enduced. I have always eaten

> very well, healthy tasty stuff I make myself. I learned how to cook

> that way when I used to go on drinking binges. I had to eat well to

> make up for the damage I was doing to myself. Now I drink less booze

> but still eat very well. I also, as you already know, love to take

> massive shits as often as possible, and the foods I eat help create

> some of the most outstanding turds known to mankind.

>

> Tommy Joe

Way to go I knew you wouldn't let me down.

Bill O'Really

Bill O'Really wrote:

> On Apr 11, 4:47 am, Tommy Joe <j...@bellsouth.net> wrote:

>

> >

> > You've got me pegged with the substance abuse, high risk

> > occupation, and stress of sustaining myself.

>

> Damn it, I left out years of unprotected sex.

>

>

> > But any malnutrition I

> > might have had was short lived and self-enduced. I have always eaten

> > very well, healthy tasty stuff I make myself. I learned how to cook

> > that way when I used to go on drinking binges. I had to eat well to

> > make up for the damage I was doing to myself. Now I drink less booze

> > but still eat very well. I also, as you already know, love to take

> > massive shits as often as possible, and the foods I eat help create

> > some of the most outstanding turds known to mankind.

> >

> > Tommy Joe

>

> Way to go I knew you wouldn't let me down.

I knew you were my friend. I'm coming out to L.A. in the

summer. Can you put me up for a few weeks, maybe a month? I'll do

the cooking, you buy the food. And I'll need my own room. We can

work on our comedy routines and maybe do some standup together at the

C-Store. Ok?

Tommy Joe

On Apr 12, 2:49 am, Tommy Joe <j...@bellsouth.net> wrote:

>

> I knew you were my friend. I'm coming out to L.A. in the

> summer. Can you put me up for a few weeks, maybe a month? I'll do

> the cooking, you buy the food. And I'll need my own room. We can

> work on our comedy routines and maybe do some standup together at the

> C-Store. Ok?

>

> Tommy Joe

You'll need to bring your own porto-potty and place it out on the

sidewalk, cause I have a fear that you are lethal.

I don't really eat regular food anymore, but occasionally I do. I

mostly subsist on protein shakes, protein bars, some fruit, etc etc.

I'm not a stand up, contrary to popular belief, but if I was I

wouldn't waste one of my precious evenings at the comedy store. One

would be better off lip singing on youtube than wasting your time

there, but I would watch you perform there if you will pay for the

parking.

Bill O'Really

"Tommy Joe" <joss@bellsouth.net> wrote in message

news:324370b3-f773-4932-8146-e938bac8747c@e39g2000hsf.googlegroups.com...

:

:

: Patriot Games wrote:

: OllieNorthie wrote:

:

:

: > I find death by gun to be very American.

: > Dying any other way is crap.

:

:

: > But you still will.

:

:

: I'm thinking about shooting Ollie to death just to prove you

: wrong.

:

Do you want to use my?,

"12-gauge Shotgun, or my .38 Revolver?!?!?!..."

http://www.coloneljake.com/image/GB6.jpg

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